David Bollier

If Earth is indeed Gaia, and we humans are a living part of Gaia, then maybe the living biosphere has something to say to us. 

Recall that Gaia, the Mother Earth myth of the ancient Greeks, was reborn in the late 1960s and early 1970s as a modern scientific paradigm that sees the Earth as a dynamic living system.

Gaian science revolves around the idea that the earth's oceans, atmosphere, rocks, and living systems all interact in complex, intelligent ways to self-regulate the biophysical conditions of Earth so that life can flourish.Earth is not just a dead rock hurtling through the universe; it is an always-evolving living system whose many living organisms collectively contribute to its ecological stability for life.

Dr. Stephan Harding has long been a leading scholar of Earth as an animate entity. As a cofounder of Schumacher College (England) and senior lecturer in holistic science, Harding is a pioneering earth scientist who has focused on deep ecology and the theory of Gaia.

His many books often build on the insights of his friend and colleague James Lovelock, the originator of Gaia theory, and on the work of microbiologist Lynn Margulis, who developed the once-controversial idea that symbiosis among living organisms is a driving force in evolution.

In my latest podcast, Episode #27, I talk with Stephan Harding about his latest book, Gaia Alchemy: The Reuniting of Science, Psyche, and Soul, in which he explores how Gaia manifests itself in human consciousness, feelings, and soul. Much of his book focuses on the power of Jungian depth psychology in helping us understand Gaia through the collective unconscious. He also probes medieval history to show how the imagery and observations of premodern alchemists can help us understand Gaia.

In recent weeks, we commoners have lost three great visionaries. Each spawned robust institutions and movements to carry their visions forward; the continuing vitality of their projects confirm that their spirits remain very much with us. We should pause to reflect on and celebrate their towering contributions.

I'm talking about the British architect/philosopher Christopher Alexander, who invented the "pattern language" approach to urban design and building; Edgar Cahn, the creative American legal activist who invented timebanking and cofounded Antioch School of Law; and Gustavo Esteva, the post-development thinker and founder of the Universidad de la Tierra in Oaxaca.

Christopher Alexander's Fearless Exploration into Aliveness and Design

I remember encountering Christopher Alexander's seminal book, A Pattern Language, in the late 1970s, a cultural moment that was erupting with all sorts of mind-blowing ideas. Alexander wanted to know why certain designs in architecture and urban spaces were consistently used across cultures and history. These include the proportions of space in rooms....the placement of windows....the design of public squares... the popularity of cafes in cities....among dozens of other forms. What accounts for their timeless appeal?   

Alexander and his coauthors came to see that beauty, grace, and spiritual satisfaction actually play vital roles in the design of everyday life and buildings. Certain designs embody aliveness! But that quality can only be seen through a certain prism, which is what Alexander set out to name and analyze. He called his method a pattern language.  

A pattern, in Alexander's view, describes "a problem that occurs over and over again in our environment, and then describes the core of the solution to that problem, in such a way that you can use this solution a million times over, without ever doing it the same way twice." 

Each solution is unique because the context of the problem -- the geography, culture, values, and history of the designers -- is always different. Yet there are regularities -- or patterns -- to be  identified and studied. In A Pattern Language, Alexander identified 253 interrelated patterns in urban and building design. 

As my late colleague Silke Helfrich and I began to think about the nature of commons as social systems, we saw how the pattern language methodology could help us explain how commons actually work -- because commons, like buildings, are not primarily about physical things. They are about the interactive social dynamics of humans as they engage with each other and the Earth.

Here's a fanciful but almost-real scenario: the bees, squirrels, geese, bugs, trees, and other species of your local park have decided that they've had enough of human aggression and abuse. They're not going to take it anymore, and rise up and demand equal rights with humans. Through a series of interspecies assemblies, a treaty is negotiated to ensure that every living being in the local ecosystem can flourish.

This scenario is a "live action role-playing" (LARP) game devised by Furtherfield, a London-based arts collective as part of its stewardship of part of the Victorian-era Finsbury Park. Over the next three years, Furtherfield is inviting humans to don masks and play the roles of each of seven species in negotiating "The Treaty of Finsbury Park 2025" -- the name of the project.

By casting humans as beetles and squirrels attending Interspecies Assemblies as delegates of their species, the LARP aims to help people develop "empathic pathways to nonhuman lifeforms through play." There is even a Sentience Dial to help different species communicate with each other. Who knows, this process may actually make Finsbury Park a more lush and lively place?

This adventure in animism is just one project that Furtherfield has hosted over the past 25 years, most of which blend art, digital technologies, and social action in some creative fashion. In my latest Frontier of Commoning podcast (Episode #24), I speak with Ruth Catlow about Furtherfield's distinctive approach to participatory art as a way of thinking anew about the world.

Catlow, an artist, curator, and co-leader of Furtherfield, has been a guiding visionary for its many artistic projects since its inception in 1996. She helps orchestrate collaborations with various local, national and international partners -- but especially with ordinary people. The point of its many artworks and technology projects is to try to get us to see the world differently, and to honor the role of art in envisioning new futures for ourselves.

If you're up for a serious deep dive into new-economy ideas and action, check out the 4th edition of the Synergia Institute online course. It's an eight-module designed for activist-minded progressives that starts on February 7 and runs through June 24.

Each module runs for 2 weeks and requires between 1.5 and 3 hours a week, depending on the study track that you choose. Self-designated "Explorers" can expect to commit 1.5 hours per week while "Changemakers" will spend 3 hours per week studying and engaging with peers. "Deep Divers" will engage with experienced changemakers and supplementary materials. 

The Synergia course is a MOOC -- a Massive Open Online Course -- that brings together some carefully selected readings, videos and other materials to show what progressive system-change can look like. The 2019 edition of the course had 1,060 registrants from 42 countries, and focused on such topics as co-operatives, alternative finance, degrowth, and the Solidarity Economy, among many others.

The new updated, upgraded course, "Toward Co-operative Commonwealth: Transition in a Perilous Century," focuses on four overarching themes -- solidarity, co-operation, reciprocity, and sustainability. It offers a rare opportunity to dig into the practical, legal, and policy particulars in a rigorous way, augmented by study circles and action groups of other learners.