Diggers 2012 Set Up Camp at Runnymede

In development that feels strangely like kismet, an encampment of dispossessed young people who wish to opt out of the corporate system and reclaim a basic freedom of working the land, have made their way to Runnymede, a hallowed site in the history of the commons. 

Runnymede is where King John signed the Magna Carta in 1215, settling the long civil war with barons and commoners, and leading to the Charter of the Forest that granted explicit commoning rights to commoners.  Runnymede is therefore an appropriate place for contemporary Occupy-style encampments.  It's where the king formally recognized that he was not above the law, and that the commoners have rights that must be respected.  But history and king-like proxies have papered over such truths.  (Peter Linebaugh's Magna Carta Manifesto is THE book to read on this subject.)

A group that calls itself Diggers 2012 is now trying to engineer a rendezvous between that past and a commons-directed future.  After being forced out of their encampments in London, the Diggers are now establishing their own Runnymede Eco Village. (Thanks for the alert on this news, James Quilligan!) The Diggers want to secure their own right to the land and to develop their own autonomous system for self-governance and subsistence.  Some want to create a banner, "We don't want workfare, we want landshare!"

After being shooed from one place to another, and suffering the destruction of their plantings, the Diggers decided to set up camp at Brunel University’s Runnymede campus, which has gone unused for six years and is poised to become a construction site for apartments.  In The Guardian, columnist George Monbiot has a wonderful column about the encampment at Runnymede, which he described as “a weed-choked complex of grand old buildings and modern halls of residence, whose mildewed curtains flap in the wind behind open windows, all mysteriously abandoned as if struck by a plague or a neutron bomb.

The Diggers are off on an out-of-theway, unused piece of land. Not exactly a prime location on which to attract attention.  But they are nothing if not determined to make a point and build another world. As one camper explained:  “Like our forbearers, ‘The Diggers’ of the mid 17th Century, we too will face the same forms of oppression as we attempt to make use of the disused land. And like the Diggers, we are committed to continuing our mission to make use of the disused land in the face of brute force. So if the bailiffs come, we may go, but we may too come back and keep coming back. For you can tear down our structures and rip out our crops, but you cannot kill the spirit of our vision. We are not here to fight anyone. We know in our hearts that our activities are just and reasonable. So we will carry on.”

Happy 100th Birthday, Woody Guthrie!

It is time to pause and celebrate the improbable, wonderful life and career of Woody Guthrie, born a century ago today.  Could such a voice of ordinary people ever make it as a songwriter/performer today?  It’s remarkable how the “Oklahoma cowboy” drew together the strands of American folk music, hillbilly lyrics, cowboy songs and countless other regional influences to create songs that sound as if they had existed from time immemorial.  In a way, they had.  He was often renovating folk tunes that had already endured for generations and giving them more timely, politically inflected lyrics:  derivation as original creativity.  He sang about dignity and social justice; he sang about hard personal truths and political struggle.

Guthrie himself said, “A folk song is what’s wrong and how to fix it or it could be who’s hungry and where their mouth is or who’s out of work and where the job is or who’s broke and where the money is or who’s carrying a gun and where the peace is.”  In today’s media-saturated world, in which posturing and PR optics drive talent to become facsimiles of the authentic (but never the real thing, lest it be caught by surprise in an unflattering light being all-too-human), Guthrie was the unvarnished, plain-spoken real thing. 

Out of that stubborn authenticity came a raw eloquence that could not be suppressed.  When Irving Berlin wrote the sanctimonious “God Bless America,” which went on to become a hit, especially as sung by pious conservatives like Kate Smith, Guthrie set out to write a song that would not be so darn complacent about America.

Raj Patel has been tracking the pathologies of the global food system for many years.  An activist and academic who teaches at the UC Berkeley Center for African Studies, Patel has just published a second, updated edition of his 2008 book, Stuffed and Starved The Hidden Battle for the World Food System

The problem with the food system is not that we don't produce enough calories to eradicate hunger, Patel notes.  It's that the food system has its own priorities of institutional consolidation and profit, which means that more than 1 billion people in the world are malnourished and 2 billion are overweight – which is worse than when the first edition of Patel's book came out. 

Patel has also been a serious student of the commons.  His 2010 book, The Value of Nothing:  How to Reshape the Market Society and Redefine Democracy, is a lucid overview of the fallaciious premises of market economics and its dismal performance.  He also goes on at length about the ability of the commons paradigm to help ameliorate food sovereignty, environmental sustainability and social justice.

Recommended reading is a recent interview with Patel at Stir, the vigorous, commons-oriented British political journal founded by Jonathan Gordon-Farleigh.  (Incidentally, Stir is in the midst of a Kickstarter campaign to pay for a print run of a book collecting some of its best articles.)

Here are a few excerpts from Stir’s interview with Patel:   

On genetically modified crops & climate change:  “We have an increasing amount of evidence to suggest that agro-ecological farming systems will be able to feed the world in the future.  The GM advocates are saying, “What about drought-resistance and climate-change-ready crops?” That seems to be nonsense!  To have a crop that is climate-change-ready is ludicrous because change is precisely change — it is so many different things.  It could be new pests, rains coming at the wrong time; it could be too much rain, or too much heat.  It is impossible to have a single crop that is ready for those possible changes.  We’ve already seen the limits of that because Monsanto has a product called ‘Drought Guard’ — a genetically-modified crop that performs no better than any conventional crop in resisting anything but a mild drought.  The problem with this is that climate change isn’t about mild anything but extreme weather events.”

The International Olympics Committee is one of the biggest, most aggressive marketers of the Olympic Brand.  It should come as no surprise that athletes want a piece of the action for themselves.  American runner Nick Symmonds has shown his appreciation for the true Olympic spirit by auctioning off a corporate sponsorship on his left shoulder. 

Hanson Dodge Creative, an advertising and design agency in Milwaukee, won the right to pay Symmonds $11,000 to tattoo its Twitter hashtag on his left shoulder.  As a piece by Stewart Elliot in the New York Times assures us, it’s only a temporary tattoo – but it will be there for the duration of the Olympic Games and 2012. 

The Olympics once prided itself on honoring amateurism in athletics – a standard that was often controversial on the margins because it was hard to enforce.  Everyone needs to earn a livelihood somehow, and the eastern bloc countries for years had a form of state-sponsored professionalism of athletes.  That said, is it an emancipation for athletes to be selling their bodies as a vehicle for corporate tattoos?  Talk about “branding”!

Hanson Dodge bought the "tattoo rights" before Nick Symmonds won a berth on the US Olympic team.  After he made Team USA, it meant that Hanson Dodge would now get far more public exposure for its $11,000 than originally anticipated.  Symmonds proudly noted, “You’re never going to find a better cpm.”

Yes, athletes have become experts on advertising.  A “cpm” is a trade term for “cost per thousand,” or the cost that advertisers pay TV, radio or newspaper outlets to reach a thousand consumers.  One might say that Symmonds is a perfect representative for Team USA:  sell, sell sell! 

There is something very sad about the Olympics becoming little more than a strike-it-rich business opportunity.  Symmonds is unapologetic.  When he finished first in a race in June, he stuck out his tongue in defiance, and said:  “My brand identity is to treat every day like it's your last, live life to the fullest.”  Living life to the fullest apparently means acting like a boor and leveraging the cash value of Brand Symmonds.

A thousand-year-old tradition of farming commons in southern England may be jeopardized as housing prices drive out farmers and render the commoning rights moot.  Yes, there are still self-identified commoners in England.  BBC radio recently interviewed a handful of the remaining commoners who rely upon the New Forest in Hampshire to feed their cattle, sheep and chickens.  The 23-minute radio report focused on how the farming commons is a way of life that has preserved the distinctive ecological landscape – and how this future is now in doubt.

New Forest is said to be the largest remaining tracts of unenclosed pasture land, healthland and forest in the southeast portion of England.  The land became a royal forest in 1079 when King William I shut down 20 hamlets and isolated farmsteads, provoking an uproar.  He then consolidated the land into a single tract, the New Forest, which he used for royal hunts. 

The traditions of commoning in the New Forest are quite involved and detailed, as Wikipedia notes:

Commons rights are attached to particular plots of land (or in the case of turbary, to particular heaths), and different land has different rights – and some of this land is some distance from the Forest itself.  Rights to graze ponies and cattle are not for a fixed number of animals, as is often the case on other commons. Instead a marking fee is paid for each animal each year by the owner. The marked animal's tail is trimmed by the local agister (Verderers’ official), with each of the four or five Forest agisters using a different trimming pattern. Ponies are branded with the owner's brand mark; cattle may be branded, or nowadays may have the brand mark on an ear tag.

Hollywood and the record industry got some serious comeuppance when the European Parliament overwhelmingly defeated a copyright maximalist treaty by a 478 to 39 vote on Wednesday.  Ouch!  This is a very sweet moment to savor. 

The content industries and trade representatives had been negotiating the so-called Anti-Counterfeiting Trade Agreement for six years behind closed doors.  Civil society organizations were absolutely barred from the process even though industry players had full and complete access and participation.  The proposed changes to copyright law would have empowered copyright industries to throttle free speech on the Internet without due process; allow users to be barred access to Internet accounts; and force Internet service providers to act as copyright police by patrolling users’ web habits. 

The idea behind the ACTA treaty was to negotiate a new global standard of strict copyright standards.  It was also a sly tactical feint to use international policy venues to help impose stiff copyright rules on the US without having to go through the US Senate for treaty ratification (Obama could simply sign it as an “executive agreement”).  The point of this subterfuge was to avoid any bruising public debate about or political fallout from much-hated provisions of the agreement.

The defeat of ACTA is a sweet moment because arrogant trade reps and industry moguls had airily dismissed critics.  They thought that their insider access, lobbying dollars and propaganda campaigns could just ram the whole stinkin’ mess through.  But after last year's huge Internet mobilization against SOPA and PIPA – the Stop Online Privacy Act in the House and the Protect IP Act in the Senate – it was clear that Internet users were getting their act together as a political force.  That anti-SOPA, anti-PIPA effort stunned Congress; industry-backed legislation that had previously sailed through was stopped dead in its tracks.  The spell of the entertainment industry's cozy influence-peddling was broken, at least for a while.

Share or Die, the Book

When Dustin Hoffman was “the graduate,” he could at least consider a job in plastics.  Nowadays the jobs have been sent abroad, communities are being destabilized by budget cuts, and many of the entry-level opportunities for young people, if they exist at all, are pretty soul-deadening.  The world that is being bequeathed to the younger generation is in serious decline if not decadence – yet the corporate and political elite who run the show seem incapable of turning things around.  Indeed, they don’t really seem to want to.  What’s a twenty-something supposed to do?

Shareable Magazine has just released a lively book that provides a few answers.  It doesn't offer any grand manifestos so much as a series of highly personal, evocative testimonies filled with rays of hope.  Share or Die:  Voices of the Get Lost Generation in the Age of Crisis, is an eclectic collection of essays about the ways that young people are trying to build happier, wholesome, workable lives for themselves as the edifice of late-stage capitalism begins to implode.  Edited by Malcolm Harris with Neal Gorenflo (New Society Publishers), the book brings to the surface, in authentic, heartfelt ways, the frustrations and triumphs of young people trying to find their footings.

Here are some of those voices: 

An anonymous, self-described “nomad” describes why he has chosen of life on the road.  It’s not as if he has a script or a deadline for his travels; he’s just wandering.  He advises, “You need to be resourceful and confident, reasonably streetwise, but also open to the prospect that most people are basically good.  The kindness of people I meet on the road continues to overwhelm me, and I aim to both repay it and pass it on as far as possible.”  The nomad itemizes what’s in his backpack (his netbook, ancient mobile phone and waterproof jacket), and why.

Two weeks ago, I had the privilege of touring an incredibly vital cultural commons in the heart of Providence, Rhode Island.  My host was Bert Crenca, the artistic director of AS220.  Nearly everyone knows AS220 as one of the most happening places in the city.  It offers everything:  rehearsal spaces, poetry slams, live music, dance performances, figure drawing, affordable work studios, a print shop, specialized art equipment, cheap apartments for struggling artists, and more. 

What may be less appreciated is that AS220 is a self-sustaining creative commons (lower case).  While it has all sorts of interactions with the market, government and philanthropy, it is really an unheralded model of a commons for producing and enjoying the arts.  It is financially self-sustaining, independently managed, and grassroots-responsive.  It is dedicated to art made by and for the people.

The “AS” in AS220 stands for “Artists’ Space”; 220 was the initial address of the distressed building it originally occupied in 1985.  AS220 quickly outgrew that space and in 1992, with help from the mayor’s office and tax breaks normally used by commercial developers, acquired a 21,000 square-foot building in a blighted, drug-ridden part of town.  In 2006 and 2008, AS220 bought two additional buildings nearby that have allowed the sprawling Providence arts community to grow even more.  Now in its 27th year, AS220 has a budget of $2.8 million, 50 employees and hosts dozens of art projects in the three downtown buildings that it owns.

Calling AS220 a “nonprofit organization” fails to capture its real achievement or inner logic.  AS220 has been able to create its own commons for the arts largely because of its ingenuity in acquiring three downtown buildings.  This has allowed it to generate its own revenue streams that help it protect its autonomy and take greater risks.  AS220 rents out street-level spaces to restaurants and shops that share its funky, creative ethic, which in turn has enabled AS220 to leverage that money to develop a more diversified funding base:  membership fees to use studio equipment; fees for art classes; contract work for printing and computer animation; and of course the sale of artworks.  AS220 also rents out cheap studio space and artists’ apartments, covering its costs while advancing the arts. 

To traditionalists, the idea of self-organized governance may seem visionary at best and wacky at worst.  To the rest of us who are witnessing the slow-motion collapse of large, rigid institutions, the appeal of bottom-up, participatory systems of governance is obvious.  We need governance institutions that are trustworthy, effective and socially legitimate – descriptions that are not readily applied to many forms of government and policymaking. 

For huge segments of the population, it’s an open secret that the social contract is now a rigged game.  That's what the Arab Spring, the Indignados in Spain, the Internet protests against the proposed PIPA/SOPA laws, and the Occupy protests were all about.  While government suffers from lots of unfair criticism, governments are in fact plagued by political gridlock, legal complexity, bureaucratic limitations, the “pay to play” ethic, and the sheer expense of lobbying and litigating to advance one’s interests. No wonder so many people are disillusioned by the promise of "democracy."

The questions for our time are, Can we develop new institutions that work better and recover some measure of social trust and political legitimacy?  Can we forge a new social contract?  If government is unlikely to change much, can we move to new forms of governance?

As I see it, the chief challenge is not just to diagnose what’s wrong, but to build working alternatives and new grand narratives to help re-orient our thinking.  Given the ubiquity of digital technologies and especially the Internet, I think some of the most attractive answers are going to come from digital spaces.  The networked world keenly understands the value of open, participatory networks and the more efficient, socially legitimate outcomes it can produce. 

My friend and colleague John Clippinger, a leading tech thinker and entrepreneur, and I recently wrote a short paper suggesting that some sort of re-alignment in governance is inevitable:

As more of life and commerce is mediated by digital technologies and Internet platforms, the tensions between legacy institutions (centralized, hierarchical, control-based) and emergent social practices on open networks (distributed, participatory, emergent) are intensifying. For years, such tensions have been deliberately ignored or finessed – but that approach may no longer be possible. The structural deficiencies of existing online systems are spurring the search for better, more practical approaches to governance, law and policymaking in an age of open networks…..

One of my working hypotheses has been that commons discourse has great power because it is able to function as an open platform.  It is both general and specific.  I frequently compare the commons to DNA because both are under-specified design structures that evolve and adapt in relationship to local circumstances.  A certain ambiguity and incompleteness in the language of the commons is precisely what enables people to infuse it with their own specific values, needs and aspirations.  And this is what makes the commons both universally appealing and particular in its manifestations.

Now I have found a wonderful confirmation of my hypothesis in the history of the Buffalo Commons.  In 1987, Frank J. Popper and Deborah Popper, husband-and-wife geographers, wrote an essay that argued that some 139,000 square miles of the Great Plains -- the drier parts extending across ten Western and Midwest states – should become a vast nature preserve.  They dubbed their idea the Buffalo Commons, believing that reintroducing the American bison, popularly known as buffalo, could symbolize their vision for the region’s restoration and conservation in ways compatible with human needs.

The Poppers noted that the Great Plains had gone through several major boom and bust periods in American history, in which economic growth resulted in overgrazing, overplowing and excessive water use, which then resulted in busts as people migrated elsewhere, as they did during the Dust Bowl crises of the 1930s. The Poppers proposed that some 10 to 20 million acres of land should be allowed to return to its native vegetation, especially native prairie grasses, and that farming and ranching should be gradually phased out.  Writing in 1987, during yet the third major “bust” phase in the Great Plains, the Poppers realized that neither large-scale government intervention (dams, irrigation projects, etc.) nor conventional economic development (farming, ranching, mining) were sustainable.  Hence the idea of the commons -- a collaborative plan that might emerge from people themselves.